Since I knew I could not be an astronaut I decided to live in imagination.
I've never finished correcting a novel but I've writed almost infinite ones (10x490). I have developed computerized narrative systems that seek to understand poietics issues such as memory, time, the narrator, the user...
Lectures in some countries and since 2010 professor of narratives, screenwrites and the digital revolution in UNAM, Centro, Ibero, among others.
Doctoral Candidate in Digital Media (CONACYT, CEPE-UNAM scholarships for academic excellence).
I am currently developing a Creativity Lab.
I believe that life is built by personal experiences and narratives.
My favorite project is Neotipo: Life Experiences Through Digital Simulation Narratives: "Neotipo generates formats and digital contents that allow linking a narration with the reality of the user and generate immersive and interactive experiences[...]"
Orlando University (2020): Non Infinite Stories...
UNAM (2018): The machine that learned creativity
Ibero (México, 2020) Talk about AI y Covid
UNAM (México, 2018) Conference: AI and Creativity
Can we reach eternity?
In this text, we want to show how the construction of a narrative instant and its almost infinite bifurcation allows us to glimpse eternity. This almost infinite reading allows us to analyze both time and the creative process from the evocation of that eternity
How is reality portrayed with the digital world? How do we construct our identity as characters and reality as an interpretation? It is not a simple question, because reality goes beyond itself. We are the narrative that we make of the simulated reality.
Essay on the poetics of the Creative Process, the way artists create and concretize their process from the impulse that leads them to write to the seventh phase: correction.
This text is based on the creation and writing of Farabeuf by Salvador Elizondo.